Hidden behind the veil of mystery, Beauty is eternally free from the slightest stain of imperfection. From the atoms of the world, He created a multitude of mirrors; into each one of them He cast the image of His Face; to the awakened eye, anything that appears beautiful is only a reflection of that Face.
Now that you have seen the reflection, hurry to its Source; in that primordial Light the reflection vanishes completely. Do not linger far from that primal Source; when the reflection fades, you will be lost in darkness. The reflection is as transient as the smile of a rose; if you want permanence, turn towards the Source; if you want fidelity, look to the Mine of faithfulness. Why tear your soul apart over something here one moment and gone the next?
'Chinese Gleams of Sufi Light'
By Sachiko Murata (Author)
Chinese Gleams of Sufi Light investigates, for the first time in a Western language, the manner in which the Muslim scholars of China adapted the Chinese tradition to their own needs during the seventeenth and eighteenth centuries. The book surveys the 1400-year history of Islam in China and explores why the four books translated from Islamic languages into Chinese before the twentieth century were all Persian Sufi texts. The author also looks carefully at the two most important Muslim authors of books in the Chinese language, Wang Tai-yu and Liu Chih. Murata shows how they assimilated Confucian social teachings and Neo-Confucian metaphysics, as well as Buddhism and Taoism, into Islamic thought. She presents full translations of Wang's Great Learning of the Pure and Real--a text on the principles of Islam--and Liu Chih's Displaying the Concealment of the Real Realm, which in turn is a translation from Persian of Lawa'ih', a famous Sufi text by Jami. A new translation of Jami's Lawa'ih' from the Persian by William C. Chittick is juxtaposed with Liu Chih's work, revealing the latter's techniques in adapting the text to the Chinese language and Chinese thought.